Movies

A ten minute super-8mm work from 1970 by Vito Acconci.

For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own,...

In this performance based tape, Acconci uses his body to explore notions of opening and closure.

Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...

Poet and artist Vito Acconci points his finger towards the camera and his own reflection in an offscreen video monitor.

Acconci's body-based performances are often willfully provocative in their testing of physical limits and controlled actions. Here, as the camera...

A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

A documentation of one of Acconci's most notorious performances, Claim Excerpts is a highly confrontational work, an exercise in self-induced,...

In Two Track, Acconci experiments with direct and peripheral perception of information in the context of communication and interaction. He sits with...

Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing...

A five minute super-8mm short from Vito Acconci

This early performance tape is an example of what Acconci has termed his "quasi-ESP exercises," in which he explores mental concentration and...

A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...

"A long narrow corridor, leading to the camera—at one side, a window—sun streams in, splotches of light and dark, the corridor shimmers....

Vito Acconci

The final installment of the Conversions trilogy.

Face-Off is an ironic collusion of private and public, of exposure and masking, a tense ritual wherein Acconci divulges and then censors his...

"I walk in a circle around the camera: sometimes I'm on screen, sometimes I'm off, sometimes I change direction, leaving the screen on one side and...

A super-8mm document (blown up to 16mm) of Acconci's performance of the same name where he laid flat on his stomach blindfolded on a wood platform in...

Acconci's face is seen in close-up. His eyes trace, in real time, the movement of the hands of an off-screen clock.