Jerome Hiler Movies

"This footage was shot and edited from 1966 to 1970 and then edited to completion over a two year period ending in July 1982. Hours for Jerome (as in...

Initially titled "Books for all". A moving institutional commission in which the filmmakers lovingly portray New Jersey's public library system.

"Shot in early 1990 on outdated Ektachrome reversal stock, Acid Rock exists only in the original (that is, Hiler has never made a print of it), and...

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds...

“Illuminated leaves from the sub rosa oeuvre of Jerome Hiler. Although the title is tinged with irony, this film is in fact a gift and a work...

More than eight hundred years ago, a confluence of technological, philosophical, and financial upswellings converged to create the most advanced form...

Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin,...

“Now that I’m in motion again, I look forward to the passage from this life to future wanderings in unknown places. My film alludes to...

“Misplacement” focuses on a social event — it looks like a funeral — with an implied but withheld story. The people Mr. Hiler...

The fourth of the “cinematic songs,” followed by two new works “made by someone closer to passing on, by someone whose sense of...

In 1948, a small, struggling, semi-professional orchestra in Louisville, Kentucky began a novel project to commission new works from contemporary...

NEW SHORES is a sister film to IN THE STONE HOUSE in many ways. Like the latter film, it consists of earlier footage edited in recent years. It could...

Stoned people, music, movement, fields.

“With Bagatelle II, I seem to have come full circle by returning to the so-called polyvalent style of my earliest film endeavors from 50 years...

“This modest little film completely turned me around. Up until that point I had been using the world to make a film, and what Jerome showed me...

In the Stone House records and recollects a period of life of four years in rural New Jersey. In the latter 1960s, two young guys with monastic...

Commissioned by Frederick Eberstadt

“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal. This was a time when I had to open up...

"My only film shot in color negative… and its been a challenge, this sort of stock. […] The film is, to me, some kind of a rhapsody...

"A portrait of a young painter, a friend of mine, who I also feature in Marginalia."