Movies

The desert, the sea, someone. I meet Michel Nedjar; together we went to the south of Morocco. There, a movie begins to take shape and develops as our...

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an...

An early Téo Hernandez film exploring the space of a garden.

Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and...

A nocturnal "offside". Pascal Martin and the celluloid bather summon us to a strange magical rite that refers to the ambiguous games of childhood.

Exploration of bodies. Point, counterpoint. A black glove goes in search of a red glove.

With Esmeralda, Hernandez shifts to the romantic mythology, but this descriptive aspect is secondary in the filmmaker's work, whose purpose is the...

The film Graal goes (as well as all the films which precede it) toward an open and avowed paganism, in which pagan force and magic imbue all the...

"ANGLE, with its brief black and white shots, almost always plunging and oblique, of naked bodies or parts of bodies, is a film of rupture....

Lacrima Christi is the longest of the over 150 films made by the Mexican filmmaker resident in Paris, Teo Hernández. Part three of a tetralogy...

Wings white, she's red, wings scream, she sings, wings fly, she moans, wings rise, she hides, wings move, she teaches me. Leila, night name,...

This film is the most "plastic", the most "actionist" of Nedjar: it is his In contextus or his Double Labyrinth. Except that here - a single actor...

Portrait of the filmmaker's mother during her visit to Paris.